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    The Synopsis Heave

    Laura Bradford Icon

    Have you ever watched a cat dry-heave? It’s painful.

    You sit there, hopelessly watching as they struggle, again and again, with the unseen fur ball or poorly chewed bug that’s threatening to make an encore. Yet, somehow, at the last minute, they manage to keep it down.

    That’s how I feel when it’s time to write a synopsis.

    I don’t blink an eye when a plot takes root in my mind, digging in until I sit down and begin the process of writing the three-hundred-plus pages it will take to tell the story.

    But to condense those three-hundred pages into five or six???? Torture. Pure and simple. Much like an irritating fur ball that makes you walk backwards, arching your back the entire way in preparation for the hell that’s sure to follow.

    Think I’m exaggerating? Being overly dramatic? Overstating the simplistic?

    I’m not.

    In fact, I’d go so far as to bet a box of Milk Duds that most writers not only understand what I’m saying, but empathize as well. Because they’ve done the whole Synopsis Heave a time or two themselves.

    I suspect it’s painful for others to watch. I know the chick behind the café counter at Borders has flashed a few worried glances in my direction this past week. Nothing that can’t be explained by my incessant tabletop finger thumping, deep pitiful sighs, and occasional head/table whacking.

    Unfortunately, witnessing the horror is nothing compared to tossing living it. Nothing.

    In case it’s not clear by now, I’m working on a synopsis. Working being the key word as I’ve yet to actually complete it.

    My intention is to send it, along with the first three chapters of my latest creation, to my agent before I leave for New York on Thursday morning. I’ve gotten the chapters exactly where I want them and I am completely jazzed about this story.

    But the part about writing a synopsis? Well, that’s not going so well.

    It started off pretty well. My newspaper background makes it fairly easy for me to come up with a few kick off paragraphs that suck the reader in. So, as I’m writing those, I’m feeling pretty good. Thinking, “HA! This isn’t so bad.”

    Riiiigggghhhtttt….

    (Believe that and I’ve got a thermal parka to sell you that’s ’specially designed for August in St. Louis)

    Because those “fairly easy” kick off paragraphs I just mentioned? They’re just the beginning. Once you get through those, it’s time to “talk” out the story—who everyone is, what happens and why, who the suspects are, why the killer did it—wrapping it all up in an unforgettable six page package with a great big bow on top. Ta Da!

    :roll:

    I swear, every time I have to write one of these things I’m reminded of the old Roadrunner cartoon (Beep! Beep!). Specifically the way the coyote painstakingly runs the rope from his TNT pushy-downy thing to whatever it is he’s trying to blow up (a rock, a cliff, a box, the Roadrunner, whatever). Knowing full well that when he pushes it down, he’s going to blow himself up…

    Because as much as we hate the person who came up with the whole synopsis idea in the first place, we know that unless we do it right, we stand a good chance of blowing ourselves up. In the proverbial sense ,of course (though, I’ll admit, the TNT has sounded preferable these past few days).

    So that’s where I’m at today as you’re reading this blog—-Arching my back, walking in reverse, and dry-heaving on a fur ball synopsis.

    Ahhhhh. Good times. Good times.

    Okay, now it’s your turn. What’s the one task in your job that you despise more than anything else and what would you liken it to for all of us?

    Oh, and if anyone out there has a remedy for my heaving–please share!

    Hugs,
    Laura

    20 Responses to “The Synopsis Heave”

    1. So that’s where I’m at today as you’re reading this blog—-Arching my back, walking in reverse, and dry-heaving on a synopsis.

      That’s not a pretty picture. Writing the synopsis is tough. I agree it’s harder than the novel. Heck, Im having trouble coming up with that kick-ass paragragh or two that I’d like to see on the back jacket cover.

      For me lately, its these 2 and 3 hour meetings in which all but a couple of minutes have nothing to do with me. I sit through an hour and fifty-eight minutes of sheer dry-heaving boredome trying to keep my eyes open and then give a two minute environmental update.

      by Will Bereswill on August 21st, 2007 at 7:13 am

    2. Laura, I feel your pain. I guess I equate writing the synopsis with scrubbing the toilet or cleaning out teh basement–it’s icky, not fun, something you’ve got to do, when it’s finally done it’ll be so much nicer, but the process is miserable. (Note I left out any comparison to using chemicals in the process.)

      Good luck.

      On another note–have fun in NYC and I mentioned your second book on my blog post this week!

      by judy larsen on August 21st, 2007 at 7:30 am

    3. I’d rather paint my whole basement than write a synopsis. Which explains why I’m covered in “Prairie Fire.”

      Good luck with yours! And have fun in NYC.

      by Heather on August 21st, 2007 at 7:34 am

    4. Will, let’s switch…I’ll write your jacket copy, you write my synopsis. Deal?

      Judy, you’re back!!!!! Thanks for the mention for F of E.

      Heather, I’m up for painting. Need help with that extra coat???

      by Laura on August 21st, 2007 at 8:30 am

    5. Laura, the synopsis = dry-heave is so apt. I agree. It’s my least favorite task associated with writing, too. Hang in there. I’m sure you’ll get it done and it will be great.

      by Sara on August 21st, 2007 at 8:40 am

    6. Ack! The dreaded synopsis! I spent a couple weeks last month pulling mine together. It was like pulling off a bandaid - real slow. You know, you get it started but then it hurts so bad you have to put it back down again, but you know you have to get it off, so you try again. And so it goes all across the damn 3 inches of plastic. Then finally, you get it off, but you’ve still got a rectangle of adhesive on your skin, so you scrub at it until it’s gone completely. Synopsizing is like that for me.

      I like the cat-heave analogy, too. I’m like that when people I know are going through writing synopses. It’s painful to watch, worse to hear, and you feel like there’s nothing you can do that will help. :hugs Laura: Hang in there.

      by B.E. Sanderson on August 21st, 2007 at 8:45 am

    7. Laura, I’m sincerely thinking about making that deal. I’m thinking, in the end, I’ll come out the winner.

      by Will Bereswill on August 21st, 2007 at 9:08 am

    8. There’s a couple of things I hate about the synopsis process: a) I am a stiff and uncomfortable synopsis writer, so the story often doesn’t have that…er…joie de vivre that the real work would ideally have, and that’s because of reason b) writing is organic, so that as the book progresses, the original ideas and concepts change and go stronger and — usually — more original.

      Of course you can’t really send a proposal with a couple of sample chapters and a note saying TRUST ME, IT’LL BE GREAT.

      by Diana Killian on August 21st, 2007 at 10:17 am

    9. Mmmm. Okay, I’m moved by the heart-rending accounts to break my own rule and offer a tiny bit of advice. If this doesn’t work, it can’t be worse than the dry heaves. But the 3-step process works pretty well for writing an abstract, which is the non-fiction equivalent.

      Try this:
      Make an outline. I mean it. A real outline of who & what is in each chapter. Take a break!

      ONLY after you’ve finished the outline, convert the choppy outline bits into sentences. Take a break!

      Then, go make those sentences tidy & engaging. All done.

      by Cynthia on August 21st, 2007 at 10:27 am

    10. Cynthia, you hit on my method. I started outlining chapters, and used that to develop my synopsis. I may have skipped step three, though.

      The hardest part is giving away the end that you have so cleverly tried to keep from the reader throughout the whole book.

      by Will Bereswill on August 21st, 2007 at 10:44 am

    11. I’m with Diana on this. I don’t actually have much of a problem writing the synopsis, although the fact that it has to be short is a struggle. I tend to go on and on and on (as if you can’t tell). But the biggest problem is that I then have to, at least to some degree, adhere to that same synopsis later. I prefer starting with an idea and just seeing where it takes me - along Stephen King’s lines of uncovering the sea shell to see which shape it has - and having to stick to the synopsis is agonizing. So it isn’t writing the damn thing that’s the issue for me, it’s sticking to it, especially after I know how it’s all going to come out. Why write the story at all, if I know everything that’s going to happen in it?

      Yeah, a couple of sample chapters and a sticky note with TRUST ME, IT’S GONNA BE GREAT would be… great!

      by JennieB on August 21st, 2007 at 10:51 am

    12. Sara, thanks, it’s nice to know people get it!

      B.E., yup, the bandaid analogy is perfect. And thanks for the hugs. I need them.

      Will, I’m not too sure on that winner part…

      Diana, you hit it perfectly. I, too, am a stiff synopsis writer. It doesn’t even come CLOSE to doing the chapters justice. And that’s what’s so frustrating AND scary.

      by Laura on August 21st, 2007 at 11:34 am

    13. Cynthia, I should do that. I did that for a romance proposal and it was–after the initial hairpulling–the easiest synop I’ve ever written. But I think I’m struggling with the outline part with this suspense book because of what Diana said, the story will unfold as I write. I know what’s going to happen, but stuff will change. Sigh.

      Will, I wonder if that’s what my issue is. The giving away something you try so hard to conceal. I dunno.

      JennieB, I’m thinking we should make those sticky notes Diana mentioned and just agree–as authors–that will suffice. :wink:

      by Laura on August 21st, 2007 at 11:37 am

    14. The problem with a synopsis is that it seems to take the life out of the story. Reduce all those good ideas to extremely dull sentences. I don’t know why exactly that happens — something about compression, but I know one cure that you might like. Write less. Do you really have to have six pages? My editor asked for no more than three pages — which was really brilliant because it forced me to write more of a jacket-copy synopsis than an outline synopsis (the deadliest). Plus, there’s no way you feel obliged to really stick to a three page synopsis. It’s clearly just a general idea — which is all they really need. Good luck!

      by Jan Brogan on August 21st, 2007 at 11:54 am

    15. Jan, wow…you hit that perfectly. “It seems to take the life out of the story.” EXACTLY!!! But I like what you said on the general idea. I find myself working more in that direction today, in the hopes that the three chapters are enticing enough that they’ll want more anyway.

      by Laura on August 21st, 2007 at 12:34 pm

    16. I guess I must have really lucked out on my representation, because my agent abhors blow-by-blow synopses and just wants the jacket-copy kind. And for my current contract, all I had to do was a short synopsis for book 1 - it came out to one page - and just a paragraph each for books 2 and 3. Maybe I just don’t understand what the rest of you are talking about when you talk about writing synopses…

      by JennieB on August 21st, 2007 at 1:26 pm

    17. JennieB, this book is a departure from what I normally write. So I\’m not sure if we can shop on just a proposal or if they\’ll want to see the entire thing. I\’m putting this together to show my agent and let her decide what she thinks will be our best move.

      Update:

      After messing with this darn thing yet AGAIN, I\’m pleased to report I think I\’m done. I did more of what Jan mentioned. The kind of general idea you hope will suck them in without sucking the life out of the story in the process.

      Gonna sit on it overnight and then send it–along with the first three chaps–to my agent in the morning. Now I can really enjoy my weekend in New York. Yay!!!!!

      by Laura on August 21st, 2007 at 1:40 pm

    18. I think writing the synopsis for your manuscript is one of the worst things in the world…I think I’d rather smack my thumb with a hammer!

      SMACK!!

      Laura, I feel your pain.

      by Rick on August 21st, 2007 at 1:53 pm

    19. Rick, it sure would be faster…

      by Laura on August 21st, 2007 at 2:10 pm

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