A Book By Any Other Cover
The book looked like a thriller.
The cover was black and had a sinister feel to it. There was the required two-word title that shouted, “This book is a thriller,” and the cover copy included words like “high-stakes thriller” and “heart-pulsating.”
There was one problem. When I began to read the book, I discovered it wasn’t a thriller; it was a romance. There were pulsating hearts, but they sure weren’t pulsating from danger.
Needless to say, I was disappointed and irritated. If I wanted a romance I would have picked a romance. (I have nothing against romance, by the way. I was just in more of a thriller mood than a romance mood.)
I’d been caught in the classic bait-and-switch. Someone decided that since thrillers were hot, this romance would sell better if it looked like a thriller. The reasoning must have gone something like this: “Sure, readers think they want a thriller, but what they really want is a romance.”
Wrong!
The bait-and-switch packaging ploy is nothing new in publishing. Remember when chick lit first shook the publishing world? There were plenty of straight mysteries that suddenly had pastel covers decorated with an assortment of impossibly small-waisted women, lipstick tubes, cute dogs, and/or high-heels.
Authors really don’t have much power when it comes to their covers. I can make suggestions, but it’s ultimately the publisher’s choice. Covers are supposed to give readers clues about the book’s tone and I can understand playing up elements that are currently selling. If you’ve got a fast-paced book with lots of suspense, it makes sense to sell it as a thriller, but don’t force the issue. Otherwise, readers feel like they’ve been duped.
Has anyone else been the victim of book cover bait-and-switch? Have you ever read a book that you normally wouldn’t read, but did read it because of the cover?















